Roadkill

the internet cannot find the richard
wilbur poem on the groundhog with which
I wanted to use as a springboard for the hedge-
hog road killed, rest in peace me spikey friend
who I transferred in my mind into a pumped
up biosonic super-duper slug eating hog
that would from memory of a bristol uni mag
that borrowed steve majors, could wreck
and overturn the tarmac status quo -now
I must regretably go, as time is in this cafe
running out, but I hope no deja vous
for my milk sipping comrade of the road.

The Orchard

The Day Came Slow, Till Five O' Clock

By Emily Dickinson

The day came slow, till five o'clock

Then sprang before the hills

Like hindered rubies, or the light

A sudden musket spills

The purple could not keep the east,

The sunrise shook from fold,

Like breadths of topaz, packed a night,

The lady just unrolled.

The happy winds their timbrels took;

The birds, in docile rows,

Arranged themselves around their prince

(The wind is prince of those).

The orchard sparkled like a Jew, --

How mighty 't was, to stay

A guest in this stupendous place,

The parlor of the day!

The Orchard

I don't understand Emily Dickinson why,

I don't understand

I don't understand why the orchard should

"sparkle like a Jew"

I can understand how the sunrise might

in synaesthesia, sound and look like a musket

report across the skies, how the colours

amassed in the morning slowly in palette

become the glitter of jewels,

but I don't understand why the orchard should

"sparkle like a Jew"

I can understand why the birds benumbed by sleep

might as you say Emily be arrayed in a docile row,

how wind may take on regal airs, to pun,

how the morning could be like a woman at a dressing

table, putting on her finery,

but my dear Emily, I don't understand why

the orchard should "sparkle like a Jew"

source for photo:

http://www.faqs.org/photo-dict/photofiles/list/1099/1563orchard.jpg

Volcano

The fire breaks the news and clouds

the judgment, as the pall of smoke

carried by fear, takes the figment

of imagination to the borders of fancy

where Nicholas Cage in a 9/11

bunker gear, pushes through crowds

of panic-stricken, orders the Nancy

Pelosi types to strip into their beliefs

As those of younger age in 7/11

buy and buy and buy, Good-bye

In Sagas of yore, the Chief statement

was a-rove, a-kill, a-rape, a-take,

Now, at the foot of the ice mountain

They in off-shore shell companies in snake

oil derivatives, fake their audits

As the ash on the self-flagellant

has worked to quell only the vanity

of the webpage mission statement

The Apocalypse foretold in teacups

and coffee beans, forms in shrouds

of black particles that could in theory

bring down the might of the air force

But in subprime tv, repacked to laughter

about the name, the Icelandic jokes

accumulate like hedged options and funds

Where upon those in stranded rooms

beached by humour, fail to see the line

of government by press, and mistakes

Erupt into policy, now the Four Horses

Gallop through the European skies

First comes Unemployment, then close

by Inflation, then Stagnation, then whine

the three in conjunction, then Nationalism

Like the Spectre of Marx, it in formation

gathers, to cover first Austria, then Italy,

Then, and then, and then, and then,

Will Nick Cage and team train hoses

On the real Volcano, as it spurts hatred

from its rocky ass, its magna fed by discontent

and disatisfaction, the lava a tongue of Devil

turns all opposition before it into Comedy.

A cavallo donato no si guarda in bocca.

it is the thought that counts despite the pure and unredeemable
ugliness, the tastlessness, the senselessness, and the cheapness
of those gifts that were bought because one simply does
have to fulfil the silly ritual of giving shite to be sure and not
to unpardonable, unreasonable, irrational, and in all
then you must in thankfulness, gratefulness, shake hands or kiss
and this is what it is all about, the human living in exchange
of the four-footed friended gifts - would mine please be a palomino
in gold and roan, with the glint of the wild in its eyes, to be bred
from sunshine and history, not to have Ken on its back, a Barbie
stud and stallion, to be real, not that plastic moulded thing
that needs the operation of my hands to get it bloody going
like the unintentional pun that makes it to becoming innuendo
getting cheap laughs and titters, riding humour not back back
but in the saddle, freeing itself from the juxtaposition of Ken
and that stallion, so don't look in the mouth of a gifted doll
for one may see the horse that beast of play which it should be.

Βρῶμα θεῶν Pastoral

I am not sure what God was about when
I ventured into the fastfood restaurant
there I ordered a ten kroner cheese burger
Was Dionysus abroad, checking out a special
super-size me behind me, his adolescent
form bloated with sugar and fat, extra marble
would be needed to carve a sculpture
of the lad, his twin, Bacchus was downing cola
as if there were no tomorrow, nearby Aphro-
dite had put on some kilos, chomping into bacon
and something, these Gods which Caravaggio
would mock and Petronious fuck, they digest
and consume the Pampas and countless
places, oh Rabelais would turn Pagan in their
presence, I just hoped that what went in
would not come out until I left the dell.

Fog

Fog
For George Szirtes.

On the coast of Northumberland the fingers
Of a promontory test the sea fog that descends
Upon the North Sea, doubting the unreality
Then they too disappear as the shroud lingers
The fishing boats and cobles are universally
Covered , the voices carried by the mystery
At times, for the religious it is of the Eucharist
Though for the kid with fishing rod this screen
Natural and beautiful covered also the liturgy
The fish can be heard to move in the stillness
Of the millpond sea, the greyness at times
Impacted by the hovering light of a helicopter
This fog a pretext for Nature to assert itself
In a manifestation that the unbeliever claims
To be Dickensian in its extent of uncanniness
To be abroad when the colours are monochrome
Like when the television electron guns go awry
To have one’s faith tested like one’s vision
Here is the fog, a fiction covered in facts.

Lex talionis II

Deliver us from the original sin which placed women
In a category of secondness and evil, the knowledge
Of bodies sacrament in nature then turned to sin
The snake that phallus curled around the revenge
Of gendered difference, the apple the gift of Venus
From the ball of Zeus, spermed the myth of moral
Superiority that taught men to seek the society of boys
The ritual of mystery is a screen for the fear of mortality
Women and children suffered to take the pledge
Of turning the body to the government of men
Then such matters become encoded in the practice
Of power, then mitre and habit cloth this sin.